Sarcastic in title and biting by nature, it’s a record that sets out an urgent agenda with thumping drums: spanning from political violence in Northern Ireland to rampant consumerism. One of the greatest things about post-punk is the way that it makes intense bleakness danceable despite itself and Leeds outfit Gang of Four were one of the earliest pioneers with their debut album ‘Entertainment!’. Smith’s voice is everywhere Gang of Four, ‘Entertainment!’ (1979) Why it was so influential: Just listen to virtually any post-punk band making music after the Millennium – Mark E. “It’s the new leather thing, crash smash crash ring” “ Erasing off our rainbows, we are men, we have big toes!” he announces ‘The New Thing!’. It’s angular, mean-sounding and visceral, and things frequently become meta (“ Er, what’s this song about?” Smith mumbles on ‘Mother – Sister!’), the band mocking artsy emptiness with surreal contempt.
Wildly prolific, The Fall have 32 studio albums to their name – and though no single record stands out as their one classic moment, debut album ‘Live at the Witch Trials’ feels like the best place to start in the story of post-punk. Smith’s acerbic inner narrative is deeply ingrained in the weirdest side of post-punk. From James Murphy’s stream-of-consciousness musings with LCD Soundsystem to the meandering lyrics of everyone from Shame and Dry Cleaning to Parquet Courts and Fontaines D.C. The Fall, ‘Live at the Witch Trials’ (1979)įlickers of The Fall are everywhere. Why it was so influential: It’s really impossible to overstate the effect that ‘The Scream’ had on gothic-minded groups like The Cure, Echo and the Bunnymen, and Psychedelic Furs – all post-punk purveyors in their own right. And Siouxsie herself has to be one of the best vocalists of the late-’70s – like a severely haunted Velvet Underground and Nico. The whole record sounds truly enormous listening to ‘Mirage’ feels like standing in the shadow of a toweringly spooky castle, while ‘Metal Postcard (Mittageisen)’ proved that aggression can be dished out slowly. There’s something slightly absurd about strapping yourself into a juddering kart and waiting to be scared shitless by a warped plastic Frankenstein, after all, and on ‘The Scream’ Siouxsie and the Banshees nail this strange balancing act between the ominously gothic, and the playfully glam. The Notorious B.I.G.Released in the aftermath of their break-out single ‘Hong Kong Garden’ this London band’s 1978 debut drags punk kicking and screaming onto a ghost train.
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